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biography..

Buck was born in New York. At the age of eleven, he was transplanted to
the West Coast and years later, played an instrumental role in the birth of San Francisco's dance music scene through his DJ residencies and as an original member of Third Floor Productions. At the end of the day Buck has helped to build this now thriving infrastructure from the ground up.

"All of my music is psychedelic to some degree," says Buck, which is an abbreviated alias for his Hopi given name, Kuyumptiwa Kopavi Grok.  His self-described style of "something old, something new, something me, something you," is indicative of the fact that anyone can find his or her niche in his music.  It is up to the interpreter to determine whether or not that description has been extracted from Buck's musical ascension in the Bay Area.  Psychedelic or not, the music is intrinsically noble.  Genre obsessed critics may pigeonhole Buck as strictly a house music producer, but connoisseurs will recognize his complex sound as more eclectic and fused, completely lacking the ability to be placed in a single category.

Like many of the other artists influenced by the global music scene, Buck has made his mark as a DJ and as a producer and has been doing both for well over a decade now.  Having left behind his musical roots, Buck is enjoying Los
Angeles and the opportunities it offers as a city.  In some respects, it
is simply one more environment to weld into the sound that he makes and plays. "I do like the concept of fusing things together and seeing what happens,seeing where we can go," he says.

One interpretation of dance music and the art of DJing is that it is
freestyle in nature.  Very few DJs show up at a venue knowing every track they will include in their set.  Buck applies this theory not only to his live gigs but to his productions as well.  "DJ culture is showing up with a big pile of records," simplifies Buck.  "If you get to play a long set,
you might get to play all of em' (records) in your box but usually you are left to choose only a handful.  In a way, Dj'ing is a very freestyle type of thing. An improvisational type of thing.  That to me is so reminiscent of jazz."


In 1996, Buck, along with Little T and (later) Graham Boothby, founded
Leaf Recordings as an outlet for their eclectic mesh of sounds.  Blending
unusual house with persuasive percussion and the occasional perfect vocal, Buck has managed to create a hypnotic and unique blend of dance music. Having released countless original tracks on various labels, he has earned a well-deserved reputation that stretches far beyond the borders of his home states or familiar coasts.  In reality, his success spans continents and remains most impressive due to the fact that throughout the years, he
has managed to remain true to his influences and the sound that he has
aimed to create.


From New York to Beijing to Jakarta, from The Hacienda to Ministry of
Sound to Fabric, it is likely that Buck has accumulated his fair share of
Sky Miles.  More importantly, his talents and accolades are enabling him to be a part of the dance music scene worldwide.  Perhaps the bedrock of Buck's success is built on his level of comfort behind the decks and naturally, his desire to make great music to be played.  Only the man himself will ever know.  At some point in the future, those outside the
realm of dance music may also be enlightened.


jkj;lk